Takin' Off Today Adam Ezra Group
2nd fret
intro/verse
G C D
G C D
G C D
Em C D
pre-chorus
Am C G D
Am C G D
chorus (and outro)
G Em D C D
G Em D C D
Thursday, May 24, 2012
Another Sunshine
Another Sunshine, Adam Ezra Group
G 3 2 0 0 3 3
C x 3 2 0 3 3
Em x 2 2 0 3 3
intro/verse
Em C G D
chorus
G D Em C
G D Am C D
G 3 2 0 0 3 3
C x 3 2 0 3 3
Em x 2 2 0 3 3
intro/verse
Em C G D
chorus
G D Em C
G D Am C D
Hunter and the Phantom Limb
I'm not going to try to notate the rhythms, but those are relatively simple to figure out by 'listening obsessively'. This is in DADGAD tuning.
The power chords can also have extra notes, i.e.:
x|x|x|5|5|5 can be played:
x|x|7|5|5|5 or
x|x|4|5|5|5 or
5|5|4|5|5|5 if you're ambitious
This isn't an attempt to write out strum patterns or rhythms; you'll have to listen to the
song to get that. Each |--| section is four beats.
I use <> to indicate a harmonic (which is optional).
The song is:
verse 1
verse 2
instrumental riff
verse 3
verse 4
tag
solo
verse 5
verse 6 (different)
tag
instrumental riff
verse: (keep strumming the inital D chord) optional end bit
D--|----|x---|x---|0-------0-2-0-----------|0---|x---|x---|0-----------|0-|
A--|----|x---|x---|0-0-2-3-------3-2-0-----|0---|x---|x---|0-3-2-0-----|0-|
G--|----|x---|x---|2-------------------0-2-|2---|x---|x---|2-------0-2-|2-|
D--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
A--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
D--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
tag: instead of the optional end bit, go to this and repeat the second half of the verse
D--|x---|x---|x---|x---|0-|
A--|x---|x---|x---|x---|0-|
G--|x---|x---|x---|x---|2-|
D--|5---|5---|8---|10--|0-|
A--|5---|5---|8---|10--|0-|
D--|5---|5---|8---|10--|0-|
instrumental riff:
D--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0--<12>-|
A--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0--<12>-|
G--|2-2---2-2-|------2---2---2-|2-2---2-2-|-----2--<12>-|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0--<12>-|
A--|0-0-3-0-0-|3-5-5-0-3-0-3-0-|0-0-3-0-0-|5-10-0--<12>-|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0--<12>-|
D--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0---|
A--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0---|
G--|2-2---2-2-|------2---2---2-|2-2---2-2-|-----2---|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0---|
A--|0-0-3-0-0-|3-5-5-0-3-0-3-0-|0-0-3-0-0-|5-10-0---|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0---|
solo: (lots of left hand muting)
D--|x---|x---|0-0---0-----|0-0---0-----|
A--|x---|x---|0-0---0-----|0-0---0-----|
G--|x---|x---|0-0-5-0-5-5-|0-0-5-0-5-5-|
D--|3---|5---|0-0---0-----|0-0---0-----|
A--|3---|5---|0-0-3-0-3-3-|0-0-3-0-3-3-|
D--|3---|5---|0-0---0-----|0-0---0-----|
D--|x---|x---|0-0---0-----|0-0---0-----|
A--|x---|x---|0-0---0-----|0-0---0-----|
G--|x---|x---|0-0-5-0-5-5-|0-0-5-0-5-5-|
D--|8---|10--|0-0---0-----|0-0---0-----|
A--|8---|10--|0-0-3-0-3-3-|0-0-3-0-3-3-|
D--|8---|10--|0-0---0-----|0-0---0-----|
verse 6 (not including tag):
D--|----|x---|x---|0--x--|x--x--|x---|x---|
A--|----|x---|x---|0--x--|x--x--|x---|x---|
G--|----|x---|x---|2--x--|x--x--|x---|x---|
D--|----|3---|5---|0--5--|3--10-|8---|10--|
A--|----|3---|5---|0--3--|3--8--|8---|10--|
D--|----|3---|5---|0--2--|3--7--|8---|10--|
The power chords can also have extra notes, i.e.:
x|x|x|5|5|5 can be played:
x|x|7|5|5|5 or
x|x|4|5|5|5 or
5|5|4|5|5|5 if you're ambitious
This isn't an attempt to write out strum patterns or rhythms; you'll have to listen to the
song to get that. Each |--| section is four beats.
I use <> to indicate a harmonic (which is optional).
The song is:
verse 1
verse 2
instrumental riff
verse 3
verse 4
tag
solo
verse 5
verse 6 (different)
tag
instrumental riff
verse: (keep strumming the inital D chord) optional end bit
D--|----|x---|x---|0-------0-2-0-----------|0---|x---|x---|0-----------|0-|
A--|----|x---|x---|0-0-2-3-------3-2-0-----|0---|x---|x---|0-3-2-0-----|0-|
G--|----|x---|x---|2-------------------0-2-|2---|x---|x---|2-------0-2-|2-|
D--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
A--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
D--|----|3---|5---|0-----------------------|0---|8---|10--|0-----------|0-|
tag: instead of the optional end bit, go to this and repeat the second half of the verse
D--|x---|x---|x---|x---|0-|
A--|x---|x---|x---|x---|0-|
G--|x---|x---|x---|x---|2-|
D--|5---|5---|8---|10--|0-|
A--|5---|5---|8---|10--|0-|
D--|5---|5---|8---|10--|0-|
instrumental riff:
D--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0--<12>-|
A--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0--<12>-|
G--|2-2---2-2-|------2---2---2-|2-2---2-2-|-----2--<12>-|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0--<12>-|
A--|0-0-3-0-0-|3-5-5-0-3-0-3-0-|0-0-3-0-0-|5-10-0--<12>-|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0--<12>-|
D--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0---|
A--|0-0---0-0-|------0---0---0-|0-0---0-0-|-----0---|
G--|2-2---2-2-|------2---2---2-|2-2---2-2-|-----2---|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0---|
A--|0-0-3-0-0-|3-5-5-0-3-0-3-0-|0-0-3-0-0-|5-10-0---|
D--|0-0-3-0-0-|3-5-5-0-3-0---0-|0-0-3-0-0-|5-10-0---|
solo: (lots of left hand muting)
D--|x---|x---|0-0---0-----|0-0---0-----|
A--|x---|x---|0-0---0-----|0-0---0-----|
G--|x---|x---|0-0-5-0-5-5-|0-0-5-0-5-5-|
D--|3---|5---|0-0---0-----|0-0---0-----|
A--|3---|5---|0-0-3-0-3-3-|0-0-3-0-3-3-|
D--|3---|5---|0-0---0-----|0-0---0-----|
D--|x---|x---|0-0---0-----|0-0---0-----|
A--|x---|x---|0-0---0-----|0-0---0-----|
G--|x---|x---|0-0-5-0-5-5-|0-0-5-0-5-5-|
D--|8---|10--|0-0---0-----|0-0---0-----|
A--|8---|10--|0-0-3-0-3-3-|0-0-3-0-3-3-|
D--|8---|10--|0-0---0-----|0-0---0-----|
verse 6 (not including tag):
D--|----|x---|x---|0--x--|x--x--|x---|x---|
A--|----|x---|x---|0--x--|x--x--|x---|x---|
G--|----|x---|x---|2--x--|x--x--|x---|x---|
D--|----|3---|5---|0--5--|3--10-|8---|10--|
A--|----|3---|5---|0--3--|3--8--|8---|10--|
D--|----|3---|5---|0--2--|3--7--|8---|10--|
Wednesday, May 16, 2012
Cynical
Here's a video of Brian teaching Cynical; this and the chords below are courtesy of Mary Bertke (thank you!).
Cynical
Enter
the Haggis
Intro:
Em7 Em6
Em7 Em6
Emsus2
hEm7 Am7
Emsus2
hEm7 Emsus2 hAm7
C wAm
Em7
I'm an actor, a
web-voyeur
Am7
I'm a fall-down
follow-through
Em7
Trying hard to find
somebody
G
And be somebody
Am7 C
wAm
Like we're all
supposed to do
Em7
Any day now the
lights will change
Am7
And we'll all be
forced to go
Em
Running with our
heads down
G wAm C wAm
Hiding our eyes from
people we don't know
Am7
D
Maybe I'm just
cynical
Em
walk to G
I could care less
than I do
Am7 D
It's a feeling I've
grown tired of
Emsus2
Haven't you?
Am7 D
And if I ever leave
it all behind
Em D
Maybe you'll be
leaving too
C G
But it's obvious
you're cynical
C D
You don't believe in
miracles
Emsus2
hEm7 Am7
Emsus2
hEm7 Emsus2 hAm7
C wAm
Em7
It's amazing colour
dreams of things
Am7
I can see in
monochrome
Em7
I can buy a
prime-time body
G
With part-time money
Am7
C wAm
From the comfort of
my home
Em7
We're so lazy, we're
soap-box heroes
Am7
And we've got so
much to say
Em
But if I never cast
my ballot
G wAm C wAm
I wash my hands and
walk away
wEm
Maybe it's a dream
it's a nightmare
Am7
Figure we've fallen
asleep, we've fallen asleep
wEm
And if I close my
eyes, I'm alone in the room
Am7
Can it go any
deeper, go any deeper?
Am7
D
Maybe I'm just
cynical
Em
walk to G
I could care less
than I do
Am7 D
It's a feeling I've
grown tired of
Emsus2
Haven't you?
Am7
D
And when I finally
leave it all behind
Em D
Maybe you'll be
leaving too
C G
But it's obvious
you're cynical
C Em
You don't believe in miracles
Am7 D
If you can't believe
your eyes
Emsus2 hEm7 Am7
What can I do?
Emsus2 hEm7 Emsus2 hAm7 walk to C to lazy Am
Emsus2 hEm7 Am7
Emsus2 hEm7 Emsus2 hAm7 walk to C to lazy Am
Chord Naming:
Em7 022030
Em6 022020
Em 0220000
Emsus2 099070
hEm7 055030
Am7 002010
hAm7 077050
G 320030
wAm 002030
C 032030
wEm 024030
Intro:
Em7 Em6
Em7 Em6
Emsus2
hEm7 Am7
Emsus2
hEm7 Emsus2 hAm7
C wAm
Verse
Em7 Am7
Em7 G Am7 C wAm
Chorus:
Am7 D Em walk to G
Am7 D Emsus2
Am7 D Em D
[C G C D
Emsus2
hEm7 Am7
Emsus2
hEm7 Emsus2 hAm7
C wAm]
Last chor end, in place of [] above:
C G C Em Am7 D
Emsus2 hEm7 Am7
Emsus2 hEm7 Emsus2 hAm7 walk to C? to lazy Am
Emsus2 hEm7 Am7
Emsus2 hEm7 Emsus2 hAm7 walk to C to lazy Am
Bridge:
wEm, Am w/B or E
string walk-down
Tuesday, May 15, 2012
The Flood
See the video of Brian's lesson, and check out future lessons as well.
If Brian posts his version, I'll just replace this and/or add a link since that will be more accurate . . .
I'm not going to attempt to write out the fingerstyle pattern; it can also work just strummed.
-played in Am, with a capo on the fifth fret
The F in the verse is played with an open high E, and the F in the prechorus can also be played as Fmaj instead.
odd chords, with made-up names: (frets for low-high strings)
G* 0 2 0 0 3 0 (there might be an X or two instead of 0)
Fmaj 1 3 3 2 0 0
Bm* X 2 3 2 3 X
Intro/chorus
Am G* C Dm Am
Am Em
Am G* C Dm Am
Fmaj E Fmaj E
Am
Verse
F C Dm Am E Am
F C Dm Am Bm* E
prechorus
Am D F E
bridge
F D F D Am D F E
outro = intro
If Brian posts his version, I'll just replace this and/or add a link since that will be more accurate . . .
I'm not going to attempt to write out the fingerstyle pattern; it can also work just strummed.
-played in Am, with a capo on the fifth fret
The F in the verse is played with an open high E, and the F in the prechorus can also be played as Fmaj instead.
odd chords, with made-up names: (frets for low-high strings)
G* 0 2 0 0 3 0 (there might be an X or two instead of 0)
Fmaj 1 3 3 2 0 0
Bm* X 2 3 2 3 X
Intro/chorus
Am G* C Dm Am
Am Em
Am G* C Dm Am
Fmaj E Fmaj E
Am
Verse
F C Dm Am E Am
F C Dm Am Bm* E
prechorus
Am D F E
bridge
F D F D Am D F E
outro = intro
Lights and Cars
I learned this from Brian, who is offering group (streamed) and private (Skype) lessons on various instruments (facebook.com/lessonswithbrian)
This is played in G, with a capo on the 2nd fret. The G, Em and C chords are like in Cameos (actually C9 and some suspended versions), as is the D in the verses. D4 is my notation for a normal D chord, adding the fourth finger on the third fret on the high E string; this probably has some official complicated name as well. The F in the bridge can be played with an open high E.
Intro
G D C
G D C
(enter bagpipes)
G D C
Em D C
Verse
G G D D C C Em D repeat
Prechorus
C C etc
D D4 C (repeat second time)
Chorus G C D Em
G C D C D
G C D Em
G C D C D G
Bridge
F C G D
F C D
Outro
G D C etc
Intro
G D C
G D C
(enter bagpipes)
G D C
Em D C
Verse
G G D D C C Em D repeat
Prechorus
C C etc
D D4 C (repeat second time)
Chorus G C D Em
G C D C D
G C D Em
G C D C D G
Bridge
F C G D
F C D
Outro
G D C etc
Friday, August 12, 2011
Real Life/Alibis by Enter the Haggis guitar chords
Apparently I wasn't the only person asking Brian for chords to this song (which they still need to play live!), and last fall he posted a really helpful video teaching a few chords and then playing the entire song:
Youtube video
Youtube video
Facebook note with chords and comments
OK, I've strangely gotten three separate requests for the chords to this song today, so I think I'll try to figure it out (haven't played it in a while). I think the easiest thing to do is to write the chords as though there's no capo, (So I'll write a C chord instead of an E flat) because those are the chord shapes I used. There are a few unusual voicings that I use a lot, most of which I ripped off from Radiohead, haha. I'll try to tab them out for you, but I've never done this before so my form is probably completely improper. I'll use numbers for frets and x's for muted strings. I'm using the basic chord names rather than figuring out whether it's a c# minor sus 4 add 9 or something, partially to keep it simple but mostly because I'm lazy. Feel free to substitute nicer voicings - I used the ones I could easily play while singing.
Here are some of the odder ones:
g minor = 3|x|0|3|3|0
f# minor = x|4|4|2|0|0
c# minor 9 = x|4|2|x|0|0
Also - I'm pretty bad at barre chords, so i leave the bottom E ringing in a lot of chord shapes (like b minor, F# major, etc). I also generally leave strings open for my A major and D major shapes:
A major = x|0|2|2|0|0 (so technically an Amaj9)
D major = x|x|0|2|3|0 (again, technically a Dmaj9).
D major = x|x|0|2|3|0 (again, technically a Dmaj9).
FINALLY - Alibis' verses are mostly barre-type chords but I left the bottom two strings open and ringing. I can think of a few great songs that use these kinds of chords, but they're all Canadian so you'd have to look them up if interested. "Apparitions" by the Matthew Good Band is a great example (and a BEAUTIFUL song), and some of the chords in "High And Dry" by Radiohead follow the same form. If you want to go way back, "Echo of a Whisper" from our album Aerials uses these chords a lot, as well as the weird G minor shape - so once you learn Real Life/Alibis, you may be able to figure that one out too!
Here goes:
REAL LIFE:
(6/8, capo 3)
INTRO
C/F/C/F/
VS. 1
C/C7/F/C/gm/F/C/C/
C/gm/F/C/Bflat/F/C/C/
PRE-CHORUS 1
F/am/G/C/F/am/G/F/F/
CHORUS 1
C/F/C/G,em/am/dm/am/G/
C/F/C/G,em/am/dm/F/G/
C/F/C/G,em/am/dm/F/G/
INST. BREAK
C/F/C/F/
VS. 2
C/C7/F/C/gm/F/C/G/
C/gm/F/C/Bflat/F/C/C/
C/gm/F/C/Bflat/F/C/C/
PRE CHORUS 2
G/F/C/G/em/F/G/E7/
CHORUS 2
A/D/A/E, c#m9/f#m/bm/f#m/E/
A/dm/A/E, c#m9/f#m/bm/D/E/
A/dm/A/E, c#m9/f#m/bm/D/E/
OUTRO
f#m/E/A/D/f#m/E/D/E/
ALIBIS:
(This song uses the barre-style chords with the B and E strings ringing open - but I'm just going to write the chord names. Watch the video if you don't know what I mean).
(4/4, capo 3)
INTRO
F#/F#/F#/F#/F#/F#/F#/F#/
BAGPIPE BREAK
F#/F#/bm/bm/E/E/bm/bm/ x2
F#/G,A/F#/G,A/
F#/G,A/F#/G,A/
VS. 1
B/G,C/B/G,F#/B/G,C/B/G,A/
F#/G,A/F#/G,A/
B/G,C/B/G,F#/B/G,C/B/G,A7/
F#/G,A/F#/G,A/
B/G,C/B/G,F#/B/G,C/B/G,A7/
CHORUS
D/D/G/G/D/D/G/G/
A/A/G/G/f#m/f#m/G/A/
A/A/G/G/f#m/f#m/G/A/
BAGPIPE BREAK 2
F#/F#/bm/bm/E/E/bm/bm/ x2
F#/G,A/F#/G,A/
F#/G,A/F#/G,A/
VS. 2
B/G,C/B/G,F#/B/G,C/B/G,A7/
CHORUS 2
D/D/G/G/D/D/G/G/
A/A/G/G/f#m/f#m/G/A7/
D/D/G/G/D/D/G/G/
D/D/G/G/D/D/G/G/
A/A/G/G/f#m/f#m/G/A7/
A/A/G/G/f#m/f#m/G/A7/
D/D/G/G/D/D/G/G/
D/D/G/G/D/D/G/G/
A/A/G/G/f#m/f#m/G/A7/
OUTRO
D/D/D/D/D/D/D/D/D
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